About this artist
MusicBrainz type: Orchestra. Associated country: US.
Release credits do not establish a current label contract, membership or exclusive roster.
Credited releases
A partial collection from the catalogue, ordered by source identifier. This is not a complete discography or a latest-release feed.
- Contrasting Russians: Rachmaninoff and Prokofiev →Source release date: 2010-02-23
- The Four Seasons →Source release date: 2016-10-18
- Respighi, Tchaikovsky →Source release date: 2012-01-17
- Ives, Beethoven, and Emanuel Ax →Source release date: 2009-11-30
- Symphony no. 5, op. 47 →Source release date: 1959
- Symphony no. 5 / Chamber Symphony →Source release date: 2005-08-30
- Koyaanisqatsi with Orchestra →Source release date: 2014-06-17
- New York Philharmonic: The Historic Broadcasts 1923 to 1987 (selections) →
- Prokofiev: Alexander Nevsky →Source release date: 2003
- Saint-Saëns: Symphony No. 3 & Concerto No. 4, Op. 44 - Fauré: Ballade, Op. 19 →Source release date: 2018-03-30
- Bernstein Century: Symphony No. 2 / Luonnotar / Pohjola's Daughter →Source release date: 2000-01-19
- Music For The Theatre / Piano Concerto / Connotations / El Salón México →Source release date: 1998
- Symphony No. 4 →Source release date: 1999
- Tchaikovsky: Piano Concerto no. 1 / Dvorak: Piano Concerto →Source release date: 1999
- The Royal Edition, Volume 59: Nielsen: Symphony No. 2 "The Four Temperaments" / Symphony No. 4 "The Inextinguishable" →Source release date: 1993
- Piano Concertos no. 3 & no. 5 →Source release date: 2002
- Bruno Walter The Edition →Source release date: 2013
- Symphony no. 4 / Symphony no. 5 →Source release date: 1986
- El Amor Brujo / El Sombrero De Tres Picos →Source release date: 1988
- Symphony no. 3, op. 90 / Variations on a Theme by Haydn, op. 56a →
- Symphony no. 2 / Academic Festival Overture →Source release date: 1993
- Beethoven: Violin Concerto in D Major, Op. 61 →Source release date: 2018-03-23
- Violin Concerto / Flute Concerto / Clarinet Concerto →Source release date: 2015
- CBS Great Performances, Volume 57: Favorite Russian Spectaculars →